London Tower

The London Tower is situated in the downtown of the City. Though it is somewhat dwarfed by the surrounding high-rise buildings, the structure retains sufficient presence to be a major landmark, on this portion of Dundas Street.

The London Tower is all that remains of the Congregational Church, in the City of London. The Church was founded by Reverend William Clarke, and associated with Gordon Jeffrey, a London lawyer with a keen interest in music.

The London Tower was originally constructed as part of the First Congregational Church, in 1876, under a design prepared by London architect Thomas Tracy, of the architecture firm of Robinson and Tracy. The Congregational Church's history within the City of London began in 1837, when Reverend William Clarke was sent by the London (England) Missionary Society to set up a congregation in London, Ontario. The congregation established by Clarke worshipped at many different locations before purchasing the land on Dundas Street and opening the church, in 1876. The church thrived there for many years and was at one time the largest Congregational church in western Ontario. In 1925, the Congregational Church joined with other Christian denominations to become the United Church of Canada, and the building became known as Beecher United Church.

In 1947, Beecher United Church closed and the church property was sold to Gordon Jeffrey, a London lawyer and Ernest White, director of the Music Teachers' College. The building was used for choral and musical recitals and was renamed Aeolian Hall. A fire, in 1968, destroyed much of the building except for the tower. The remnant tower stands as a reminder of the First Congregational Church, its founder and its various uses through time.

The Congressional Church was designed in the High Victorian architectural style. The Tower displays some of the style's distinguishing features, as well as a Second Empire influence. Characteristic of the High Victorian style, the Tower is polychromatic in design, which is achieved through the use of Ohio stone for the base and contrasting Westminster pressed white-brick and Brantford red-brick detailing, for the body of the building. The Second Empire influence is most evident in the patterned mansard roof. The Tower also features Norman style round-arched and arched windows, which have decorative drip mouldings and brickwork surrounding them. Other noteworthy features include the brick pilasters and buttresses with concrete caps on the lower-storeys and the original door, which has a trefoil pattern and is topped by a transom window with ornamental moulding.