Little Britain United Church

Little Britain United Church, constructed

in 1872-74, is a robust one-storey vernacular stone structure on sprawling grounds that overlook the

Red River near Lockport and also hold the church's cemetery. The provincial designation applies

to the church, its cemetery and its lot.

Little Britain United Church is the oldest United church of Presbyterian origin in

the Canadian West and one of only five stone churches remaining in Manitoba from the Red River Settlement

era. The structure's deep pioneer roots are expressed through its vernacular design, based on the

medieval Gothic architectural traditions of English and Scottish parish churches; its excellent stonework

executed by noted masons Duncan McRae and John Clouston; and its unostentatious interior, reflective

of frontier austerity as well as Presbyterian precepts. The well-preserved church recalls the formative

period of institutional Presbyterianism in the West. It occupies land granted to the congregation by

the Hudson's Bay Company and used for worship since the early 1850s when Reverend John Black, the

Red River Settlement's first Presbyterian minister, began organizing local congregations, early

church missions and schools. Still in active use, Little Britain United is one of a number of important

nineteenth-century buildings concentrated at the northern end of the historic Red River corridor.

Source:

Manitoba Heritage Council Minutes, October 17, 1987

Key elements that define the heritage character of the Little Britain United Church

site include:

- the church's inclusion in a larger surviving collection of Lockport-area structures

dating from the Red River Settlement, including nearby Lower Fort Garry

- the church's east/west

orientation, facing the Red River, on a well-treed and grassed lot that also holds a cemetery with many

prominent pioneer graves, including that of Duncan McRae, etc.

Key elements that define the church's

vernacular and modest Gothic Revival styling include:

- the basic symmetrical massing composed of the

rectangular expanse of the nave denoted by a steeply pitched gable roof with cedar shingles

- the robust

facades of roughly dressed limestone, hollow and filled with rubble

- the square, World War I memorial

tower (1920) featuring a projecting entrance sheltered by a gable overhang, a bull's eye window,

a wooden belfry with louvred pointed openings on all sides, and a pyramidal roof clad in fish-scale wooden

shingles, all topped by a pinnacle

- the openings, including the pointed arched windows in the nave,

composed of four stained-glass windows in the south elevation and four plain windows in the north, all

with basic wooden tracery and stone voussoirs

Key elements that define the church's straightforward

interior layout, finishes and details include:

- the formal hall plan composed of the nave with a centre

aisle and a raised sanctuary

- the pseudo-gambrel ceiling with dark-stained or dark-painted wood planking

-

the light-painted plaster walls with dark wainscotting

- the simple hand-crafted wooden pews

- the details,

finishes and intact furnishings, including the moulding, wooden pulpit and altar rail, a chair that belonged

to John Black, the straight edge used by the masons during the church's construction, etc.