First Baptist Church

• the placement

of the church at the northeast corner of Lorne Avenue and 11th Street in Brandon, on a longitudinal north-south axis with the main door in the south-west corner tower

Key elements that define the Late Gothic Revival exterior character of the church include:

• the basically rectangular plan, with various projections

articulating architectural elements such as the towers and major windows; the two south entrance porches

• the complex massing, which resembles on the exterior a Gothic cruciform church, with cross-gables

housing large pointed windows; the medium-pitched gable front with tall crenellated towers; the clerestory-like appearance of the upper part of the rear facade

• the facades, particularly the south and west, and their

openings and details, the large pointed window openings to the east, west and south, the smaller rectangular openings, set singly or in pairs or trios; the smaller lancet windows in the east and west facades

- the materials: buff brick, laid in a running bond, with limestone sills, string courses and coping stones;

the basement level of random ashlar granite with hammer-dressed Tyndall limestone window surrounds

- the high quality craftsmanship and fine masonry details, including the buttresses with limestone caps, corbelled detailing below the battlements on the towers, the brick mouldings over the larger openings;

the two large brick chimneys, ornamented on each face with paired recessed arches and corbelling

• the

pointed arched ventilators on each side near the top of the south-west (main) tower, with wooden louvres in a paired lancet pattern

• the original paired panelled unpainted wood doors, and their hardware, in

each entrance porch, with a pointed transom and gothic revival tracery above

• the eavestroughs and decorative

downspouts

Key elements that define the heritage character of the church¿s interior include:

• the organization

of the spaces on the main levels, with the square sanctuary, overlooked by a three-sided gallery edged with a decorative, dark stained wood balustrade and supported by slender steel columns

• the wood staircases

and their details including turned spindles and decorative newels

• the interior wall at the rear of

the sanctuary, pierced by arched openings looking onto a subsidiary vestibule area, and with glazed multi-paned panels, and the associated woodwork

• the raised stage area at the front end of the sanctuary, with a

full-height carved and panelled oak screen set into an arched niche; the decorative organ pipes

• the

decorative corbels, with classical motifs, at the ends of the main ceiling beams, etc.

• the original

interior fittings including light wood strip flooring; stained wood panelled doors and their hardware;

original stained wood sash windows and their hardware; and simple but decorative wood casings